76 films cataloged, 10 symbolic categories, 5 Tier 1 scenes. The gun and the camera share literal DNA — the movie camera was modeled on a revolver. We still call what cameras do 'shooting.'
Essays
Written companions to the video essays, plus standalone research.
70 films cataloged, 10 symbolic categories, 12 Tier 1 scenes. The door is the cut — every film is a series of thresholds, and the literal doors on screen are just the ones you can see.
69 films cataloged, 10 symbolic categories, 12 Tier 1 scenes. When a filmmaker puts a clock on screen, a time-based medium depicts its own time-measuring instrument — and cinema looks in a mirror.
74 films cataloged, 12 symbolic categories. The only cinematic object whose meaning completely reversed — from ubiquitous glamour to contested mortality to paradoxical resurgence.
85 films cataloged, 9 symbolic categories, 5 Tier 1 scenes. The mirror is cinema's only truly recursive prop — the one object that does exactly what the medium itself does.
71 films cataloged, 10 symbolic categories, 12 Tier 1 scenes. The Hitchcock-to-Kubrick transition as the definitive bifurcation event in cinema's relationship with the purest drink on screen.